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Annihilation: A Novel (The Southern Reach Trilogy), by Jeff VanderMeer
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SOON TO BE A MAJOR MOTION PICTURE The Southern Reach Trilogy begins with this Nebula Award-winning novel that "reads as if Verne or Wellsian adventurers exploring a mysterious island had warped through into a Kafkaesque nightmare world" (Kim Stanley Robinson).Area X has been cut off from the rest of the continent for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; the second expedition ended in mass suicide; the third expedition in a hail of gunfire as its members turned on one another. The members of the eleventh expedition returned as shadows of their former selves, and within weeks, all had died of cancer. In Annihilation, the first volume of Jeff VanderMeer's Southern Reach trilogy, we join the twelfth expedition. The group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain, record all observations of their surroundings and of one another, and, above all, avoid being contaminated by Area X itself. They arrive expecting the unexpected, and Area X delivers―they discover a massive topographic anomaly and life forms that surpass understanding―but it's the surprises that came across the border with them and the secrets the expedition members are keeping from one another that change everything.
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Product details
Series: The Southern Reach Trilogy (Book 1)
Paperback: 208 pages
Publisher: FSG Originals; First Edition edition (February 4, 2014)
Language: English
ISBN-10: 0374104093
ISBN-13: 978-0374104092
Product Dimensions:
5.2 x 0.6 x 7.7 inches
Shipping Weight: 5.6 ounces (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
1,719 customer reviews
Amazon Best Sellers Rank:
#13,443 in Books (See Top 100 in Books)
TL;DR The book is full of decent and intriguing ideas that are poorly executed. There is no character for the audience to use as an anchor. It takes 160 pages for anything resembling a story to get started.This book is a surprise and mystery if you have never read metaphysical horror before. To see what Annihilation would look like if executed flawlessly, read House of Leaves. The now-commonplace horror elements of humans encountering the utterly foreign and unknowable make up the backbone of the narrative. But whereas it is on glorious and staggering display in Lovecraft, King, amd other giants, here it is reduced to a bizarre oddity that induces head-scratching instead of spine-tingling.The primary reason for this is the clashing styles. The first 160 pages of the book are so sterile and cold that even the strangest things are as interesting as unfinished jigsaw puzzles. The main character, The Biologist, states that this is to provide an objective account of events which necessotate a subjective experience in order to terrify. The last 30 pages are forced to give up the objective description, and only then does Annihilation actually become interesting.The Biologist herself is done great injustice by the first 160 pages. In providing nothing but objective descriptions of events, the author fails to establish her as anything resembling a human being. She is nothing more than a camera lens that requires occasional flashbacks by the author to establish that she has Emotions and these are often at odds with the character as portrayed. The Biologist is a heavy introvert. She eschews people for her work. This is mentioned often and in bold fashion. Yet this person married, for reasons that are never explained beyond "he offsets my introversion". The Biologist is not portrayed as a person interested in the feelings or experiences of others. Why marry?At the end of the book the semblance of a person begins to emerge from the Biologist, but by then the narrative has established her so firmly as a non-presence that her character feels like something the author shoved in when he realized there was no point to which the audience could attach. She is a walking fight between a detached third-person objective lens and a woman who wants to tell her own story. It does not end well for either party.Finally, the book simply starts. No world-building or character history or any point of reference that would be helpful for an audience seeking a way into the story. In theory this plays along with the idea that the characters themselves know little, and are themselves poorly informed. In practice it is disorienting and dull. We know nothing about the state of the world. No baseline is established. Even the characters know more than we do, as is revealed later in the book - well past halfway in. The effect is like waking up to find yourself weightless inside an empty sphere. There is no point of reference and you can only make guesses until someone pops in and tells you what is happening.There are many more small details that add up into a large pile of errors - debunked pop psychology from 1950 paired with hard science, characters that serve no purpose and go nowhere, jarring switches between clinical observation and surrealist prose, a world that is somehow both tantalizingly alien and horribly mundane - but describing those would take much longer.Read a summary on Wikipedia. I guarantee it will be much more cohesive, interesting, and above all much less time-consuming than reading this book.
The best way to begin a review about this novel (and series) is to tell potential customers what it is NOT. I believe the most enlightening way to do this is to compare it to other prominent sci-fi works with which I feel it has some similarities (and with respect to Mr. Vandermeer many differences).This is not a series by Michael Crichton. Although at times I was reminded of various Crichton works such as the Andromeda Strain, Sphere, and even Jurassic Park, Crichton takes painstaking efforts to ground the seemingly fantastical experiences in his stories with a semblance of fictional science. Crichton essentially is a magician who shows you afterwards how the trick was performed. There is no such reveal in this book (or really the series at large). Any sort of explanation (rational or irrational) is left entirely up to the reader. This can be frustrating for many people (including myself) who become engrossed in the plot and would like a finite resolution.This is also not the book Arrival which also deals with potentially extraterrestrial beings, semiotics, and language. Whereas a linguist is the protagonist and narrator of Arrival, the linguist in Annihilation pointedly drops out of the expedition before the novel even begins.What this book is, as many others have pointed out, is similar to Lost or (in my opinion) Prometheus. The writing, especially at the start, is both exciting and compelling. However, each mystery only leads to more mysteries. The main character is interesting if not rather obtuse (as many characters in sci-fi stories are -- if the crew of the Nostromo could follow simple quarantine procedures then the film Alien may have only been 15 minutes long -- but that's beside the point).As a story, it's well written and the plot is intriguing. It borders on sci-fi horror and raises many interesting questions about the human condition. Hence the 3 stars. But the lack of exposition holds it back.
I read all three books in this trilogy. The premise was interesting but nothing came of it. Lots of character development but very little action and no resolution at the end of three volumes. I am reviewing the first volume because by the time I was certain of the lack of resolution it was too late. Stop before you start unless you enjoy interesting concepts the don’t become stories or end. They just stop.
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